{"id":18,"date":"2018-09-21T09:51:23","date_gmt":"2018-09-21T09:51:23","guid":{"rendered":"https:\/\/hashtagartcom.wordpress.com\/?page_id=18"},"modified":"2018-09-21T09:51:23","modified_gmt":"2018-09-21T09:51:23","slug":"about-me-2","status":"publish","type":"page","link":"https:\/\/hashtagart.blog\/?page_id=18","title":{"rendered":"More (writing)"},"content":{"rendered":"
Who is the Author?<\/em><\/h5>\n

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Natalia Stanusch is an\u00a0spiring academic, critic, editor, and change-maker, interested in Media Studies, AI, data ethics and art. She graduated from John Cabot University as a double major in Art History and Communications in Spring 2022, and she’s currently at the University of Amsterdam pursuing her MA in New Media and Digital Culture.\u00a0<\/span><\/span><\/p>\n

Her most recent publications are \u00a0“Raw Memory: Ephemerality of the Eternal in WhatsApp<\/a>” and “I Present You with Myself: Facebook Avatars and Apple Memoji, or a Brief Account of the Evolution of Emoji<\/a><\/span>” published by the Institute of Network Cultures, Amsterdam, and “The HaHa of Digital Deterritorialization: Looking at Memes through the lens of Dada Laughte<\/a>r<\/a>” published at The Meme Studies Research Network, part of Centre for Data, Culture, and Society at the University of Edinburgh. <\/span><\/p>\n

She also experimented with filmmaking, such as in a short experimental film “Memory Ephemera. The Hauntology of Online Connections<\/a>” \u00a0and <\/span>‘<\/span>Reserved for Social Distancing<\/a><\/span>,’ a <\/span>semi-autoethnographic film project presented during “Affect & Social Media#4.5 and The Sensorium Art Show: ‘Media Virality and the Lockdown Aesthetic'” conference, showcased in the panel titled ‘Lockdown Aesthetic & Quarantine Blues.’ \u00a0<\/span><\/span><\/p>\n

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